“Los Angeles is such a diverse, amazing community, and seeing an officer who kind of lives in the city and sort of sees the people that are being policed as humans and as neighbors and as friends was really important to me.” Ryan, who created the groundbreaking drama “The Shield,” about corrupt Los Angeles police officers, said he was excited about the chance to examine the often charged relationship between law enforcement and the communities they serve. It’s not just black versus blue or black versus white. As much as some people don’t want to hear it, it’s All Lives Matter. “We’re taking on the Trump years,” he said. Moore, best known for his long run on the CBS procedural “Criminal Minds,” noted the diversity of the cast and creative team and added that, while the show is primarily designed to entertain, it will also resonate politically. On the other hand, another neighbor of mine was an actual police officer.” “On one hand, a 12-year-old kid who was a neighbor of mine was shot and killed by a police officer.
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“I grew up in a neighborhood that had a very complicated view towards police officers,” said Thomas, who created the series with veteran showrunner Shawn Ryan. press tour, the series was inspired by his experiences growing up in Kansas City, which have helped him understand both sides of the raging debate over police violence. In the series, former “Criminal Minds” star Shemar Moore plays a native Angeleno who runs a tactical unit for the LAPD and finds his loyalty torn between his fellow officers and the community in which he was raised.Īs co-creator Aaron Rahsaan Thomas told reporters Tuesday at the Television Critics Assn. While technically a remake - of both the original series and the subsequent 2003 film based on it - CBS’ upcoming cop drama “S.W.A.T.” is very plugged into the current moment, according to its cast and creators. Many names appearing in these stories have been changed.Don’t let the funky theme song or the ‘70s origins fool you. We want to make sure that this conversation doesn’t stop-not until our laws and societal norms reflect real change. We believe that while this subject matter is especially timely now, it is also timeless. I know nothing has touched it since it landed.ĮNOUGH is a Rumpus original series devoted to creating a dedicated space for work by women, trans, and nonbinary people that engages with rape culture, sexual assault, and domestic violence. Now two sticks laying side by side in the gravel. The branch on the shoulder is split at the elbow,
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His mark other in ways, his love only visible
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To breaking? You must know, he’s never touched me. When I say my father is abusive? An arm cranked On my morning route to school, the deep “V” Was it wind or lightning that popped the branchįrom its socket? The next day, I pass it again How I never told my mother of their roughness. My head to their chests, finger-combed the greenīlades from my hair, said shhhh, I didn’t mean it. Grass, a knee in the dip of my spine, and the mutedĬlout of my palm on the dirt when I wrung an armįree to “tap out.” Time out, time out. Games of copsĪnd robbers, older cousins competing for the bestĪrrest. The morning after a storm, I find a tree’s severedĪgainst the cement barrier, the wood angles Like that first sliver of string-cheese). Like opal or pearls, swiveling in the bathroom My hair back, show my mother- aren’t they gorgeous? In the mirror, I’ll twist and turn, sweep Like a large hair-clip with teeth or claws. The hurt-I tell myself that love is touchĪ purple salpiglossis with a yellow navel, A sliver of a man at the readyĪbusing god. Poem for My Rapist’s Supporters (Or, I Asked for It)īut a when. Each week, we will highlight different voices and stories. The series runs weekly, most often on Tuesday afternoons. ENOUGH is a Rumpus series devoted to creating a dedicated space for essays, poetry, fiction, comics, and artwork by women, trans, and nonbinary people that engage with rape culture, sexual assault, and domestic violence.